![]() The humanization lends an extra chill to just how inhumane the system ends up being.Everyone loves a bit of romance in their lives-that’s why romantic novels and films sell so well. This Empire is still the same Palpatine-led entity with the same ultimate impact on our heroes, but it’s a very different vision of what a fascistic empire might look like to the average person. From its lens, the Empire is less a singular engine of simple fascism than a broad mess of loosely connected bureaucratic administration and “just doing my job” law enforcement officials. You don’t realize how rare this is in a Star Wars property until you see it here.Īndor has a unique perspective on familiar Star Wars beats. Instead of the grand mythology of the Skywalker family or the familiar tropes of Mando and the Child, we get exceedingly human characters who talk, think and reason like people you actually know. It’s quiet, multi-dimensional, putting both its heroes and its villains under the microscope to see what they’re actually made of. But Andor is a very different kind of Star War. ![]() Often, this sort of prequel, origin-story-to-a-thing-we-didn’t-really-need-an-origin-to can end up toiling in over-explanation and exceedingly dull lore. But the most successful foray might be the one we never saw coming.Īndor picks up ahead of the events of Rogue One, following Cassian (Diego Luna) and a band of very Star Warsian misfits on their way to creating what would become the Rebel Alliance. We’ve gone both forward ( The Mandalorian), backward ( Star Wars: Visions) and even kinda lateral ( Obi-Wan Kenobi). On Disney Plus, George Lucas’ once pleasingly sparse space opera has become a source of near endless content. There have been considerable highs and considerable lows and, now, sprawl. Disney’s time at the helm of Star Wars has been complicated.
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